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Categories: American, american photographers, beauty, black and white photography, documentary photography, existence, intimacy, light, memory, New York, photographic series, photography, portrait, reality, space, time and works on paper Tags: American black and white photography, American documentary photographer, American documentary photography, American group portrait photography, American traveling circuses, banquet camera, banquet photographer, banquet photography, big top, candy butchers, canvasmen, Celebrating "Ringling Golden Jubilee", Century Photographers, Christy Brothers Circus, Christy Brothers Circus Side Show, circus band conductor, circus memorabilia, circus photography, circus pictures, circus publicity, Clyde Beatty, Clyde Beatty Circus, Col. Johnson's World Champion Cowgirls, Cole Bros., Cole Brothers - Clyde Beatty Circus, Coney Island, Congress of Clowns, Congress of Freaks, Congress of the World's Rough Riders, disciplined bodies, Doll Family of Midgets, Dorothy Herbert, Edward J. Kelty Celebrating "Ringling Golden Jubilee", Edward J. Please click on the photographs for a larger version of the image. Steichen (American, born Luxembourg, 1879-1973) Moonrise, Mamaroneck, New York 1904, printed 1981 Photogravure Oklahoma City Museum of Art Museum purchase with funds provided by Ms. Garnett (1916-2006) 1957 Gelatin silver print Collection of Mr. The book on the right shelf is a 1956 guide on how to pilot a ship without using mathematics. Duncan “Child on Forest Road,” which features the artist’s daughter, brings together a series of dualities or oppositions in a single image: ancient forest and young child, soft flesh and rough wood, darkness and light, safe haven and vulnerability, communion with nature and seclusion.

Tim Mc Coy and his Congress of Rough Riders of the World, Col. Its title, 1958, printed 1973 Gelatin silver print Oklahoma City Museum of Art Lent by Mr. In so doing, Bullock reflects on his own attempt to relate to nature and to the strange world implied by Einstein’s newly theorized structure of the universe.

Kelty’s day job was that of professional banquet photographer photographing weddings and the corporate world.He carried out much-admired commissions for leading magazines including Flair, Junior Bazaar, Glamour and Mademoiselle.This gave rise to an unfeigned self-contempt and a paradoxical inner division only humor could counter.Sometimes he encountered his double, or even appeared in shot as a reflection.Each of his images was “a challenge to silence and indifference” – theirs and his own.

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